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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

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Research Feature: A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice

This practice-based research attends to queer and feminist understandings of sound, memory, voice, temporality and spectrality, specifically in relation to audiovisual art. Through an analysis of artworks and material practices, I identify a range of subversive strategies implemented by artists intent on amplifying the voices of marginalised communities. These include alternative modes of listening, seeing and feeling that complicate hegemonic notions of history, genre, representation and subjectivity.
Further infomation on A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice
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Member Profile: Hannah Kemp-Welch

Hannah Kemp-Welch is a sound artist with a socially-engaged practice. She produces audio installations and radio broadcasts with community groups, using voices, field recordings and found sounds. She also delivers workshops, makes zines and builds basic radios, aiming to open out sonic practices and technologies for all. Hannah is a member of feminist radio art group Shortwave Collective and the arts cooperative Soundcamp.
Further infomation on Hannah Kemp-Welch
Several tube-like speakers protrude from a tall pole with blue skies in the background

News: Irene Revell - Preemptive Listening at Tate Modern | 25/26/27 April

Continue reading about Irene Revell - Preemptive Listening at Tate Modern | 25/26/27 April